About Taped Paintings

Understanding that in today’s media-environment, the function of the industrial tool is now two-fold – first for its function, use and application, and second; that it is liberally branded, serving the ulterior function to implant upon the subconsciousness of the user with with a catchy, graphical hook.

Using tape is my first foray into an inversion of this logic, where the branding becomes the primary function of the purpose (artistically speaking) and the application/use becomes an after-effect.

By accident, I noticed the branded blue tape sitting on my desk. It is blue painter’s tape to mark edges while painting interiors.

 

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I once painted an interior myself. It was in Mid-town Manhattan. I got this job by myself. But by then, I had already painted entire galleries. A friend of mine, Mike had taught me an important technique to cover over-sized walls: Keep the paint trays filled to the brim with paint (Make sure there is plenty of floor covering, in these cases, we had a nice 4×8′ sheet of cardboard that we can slide along the edge that would catch any stray paint), roll the roller in liberally soaking it, start at the highest point (usually, you can reach the top, where the top edge has been cut (cut being a term for taking a brush and paint can and painting all edges of a room, typically corners where rollers will not reach), and let all of the paint dribble down while, in one stroke, the roller will coat the stretch from top to bottom in one stroke. This saves an enormous amount of time and energy it takes to otherwise roll the roller in an up and down fashion to cover the wall. This mark is the height of efficiency for covering large walls. This movement is repeated again, and there is always excess paint on the wall and roller to fill in gaps, splotches and streaks for an even coat. This is the zen of wall painting.

 

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These several years of experience are etched in my memory sitting in my studio in Downtown, Los Angeles. My mind is turned on by these plastic materials, that are so unequivocally bereft of life. Industrial materials to me, represent a vacuum, one that on a large scale has stripped, bleached and destroyed the environment of which we are beginning to see is an inevitable outcome: Of life in decline.

Organically, I discovered that by aligning the printed, branded surface of this marvelous blue tape, that I could create a wallpaper. There is something extremely pleasurable about aligning the print just right. It reflects a certain pleasure that any manual laborer gets out of working with their hands whether it is laying down wallpaper, doing electrical work, diagnosing and fixing cars, mowing lawns or painting houses. It’s a certain functionality.

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As an appendage to this, I’ve also collected coffee cup sleeves, whose whimsical and even melancholic imagery of floating coffee mugs swirl about. I guess I am in a process of discovery connection between things.

 

11:05 p.m.

There were some things I wanted to say

Having my family around me did wonders

And then I seem to fall apart

Or lose semblance of myself

I float away

Like Clooney in Gravity

I just float into darkness

My cries muffled

By now, the only person who can reel me in is me

Yes, I can do that now

Time for me to pull myself up together

Yes, I can do it